A while back, my friend Sarah S-E sent me a call for entries for an art exhibit called GLOW. A seasonal exhibit hosted by Annmarie Garden in Solomons, Md., GLOW was requesting “a variety of works including neon, fiber optics, LED, luminous substances, light graffiti, projections and other electrical or digital manifestations.” 2D works that “experiment with light or create the illusion of glowing, flashing or pulsating light” were also welcome as submissions.
Excited by the prospect of entering an appropriate photograph to be considered by the curator, I immediately stole Sarah’s husband. (Oh yes, I did!)
Keith shares my enthusiasm for photography and a similar overcrowded schedule. Whereas I’m working, pet-sitting and trying to rehab my shoulder in the pool, Keith is working, teaching and taking a class. I thought the GLOW call for entries would be an opportune time for us to collaborate, combining creativity with technical expertise.
We met over lunch at the Coffee Quarter and started brainstorming different ways to experiment with light and to photograph it, and walked away with a scrap paper full of possibilities and a list of materials needed. We met after dark one evening, setting up a rough studio out of found-objects in his backyard. Keith had his Nikon D90 mounted on a tripod and set up to work with a remote control, to eliminate the interference of our hand-shake during the session.
One of our experiments was to play with the idea of literally lighting a light bulb; to showcase the visual contradiction of seeing a light bulb lit in an unexpected way. The idea was to set it aflame, essentially stripping a light bulb from its known utilitarian purpose and elevating the object itself to art.

A measure of experimentation was called for in order to discover a flammable substance that would coat the light bulb in flames, and in the end we achieved success by using gel fuel. The resulting images showcased beautiful blue, green and pink lights, reminiscent of the aurora borealis.
What we found interesting, however, was an emerging visual contradiction. Blue is typically observed as a cool color, but in terms of heat, a blue flame burns at a temperature of about 1,995 degrees Celsius. It is, in fact, hotter than a yellow or red flame even through the human mind associates these colors with warmth and heat.
Keith and I also explored other creative ideas as well over the course of two nights, and ended up submitting the above three photographs — En Fuego 1, 2 and 3 – plus another image entitled Flaming Flamenco by the call for entries due date of October 2.
On October 6 I received an e-mail from Melissa Langley, the Exhibits Curator at Annmarie Garden, letting us know that our work, Flaming Flamenco, was accepted for the exhibit! I am very happy that this image was chosen, as it was probably the best example of Keith and I combining our respective talents.
Keith and I have made a pact not to share the accepted work with our friends and family via our blogs until after the Artists’ Reception on December 6. However, GLOW will be open for both daytime and nighttime viewing from November 24, 2009 through February 14, 2010. The goal of the show is to “create a dramatic exhibit experience appropriate for all ages that sets the Arts Building aglow for the winter season.”
I hope that you are able to visit Annmarie Garden and see it GLOW!